Senga Nengudi, Rapunzal, 1981, silver gelatin print, edition of 5 + 1 AP, 825 x 1250 unframed, courtesy the artist, courtesy the artist, Thomas Erben Gallery, New York and Levy Gorvy Gallery, London + Lewis Fidock, Asterix, 2017 and Nalda Searles, When they danced he was transformed, 2008.
Inside installation view, Paddington Town Hall Sydney, 2017
Inside installation view, Paddington Town Hall Sydney, 2017
D&K, All or Nothing, 2017, Garment collection, materials and dimensions variable. Garments feature art work by: Blake Burns, James Deutsher, Lewis Fidock, Christopher LG Hill, Chantal Kirby, Spencer Lai, Gian Manik, Kate Meakin, Virginia Overell, Joshua Petherick, Sean Peoples, Adele Varcoe, Alex Vivian. Garment production collaborator: Chantal Kirby. Garment production: Ricarda Bigolin (D&K), Tasmin Pritchard, Holly Simpson and Chantal Kirby. Stylist: Adam Wood Originally performed as part of the exhibition High Risk Dressing ? Critical Fashion, RMIT Design Hub.
D&K, All or Nothing, 2017
Inside installation view, Paddington Town Hall Sydney, 2017
Lewia Fidock Asterix, 2017, Ultracal, pollen spores, spray adhesive, raw pigment, synthetic polymer paint, wire, leather, pigmented, polymerthane, dimmensions variable, Unique, Courtesy the artist and Sarah Scout Presents, Melbourne
Inside installation view, Paddington Town Hall Sydney, 2017
Ainslie Templeton, Heterographic blanket (domination), 2017, towel, tarpaulin, urine, peppermint and wax, Unique
Ainslie Templeton, heterographic blanket (domination), 2017
Ainslie Templeton, heterographic blanket (domination), 2017
Hana Earles, the second god to audience: next, i am going to do a painting, 2017
Hana Earles, the second god to audience: next, i am going to do a painting, 2017, marker on cotton, extension cord, packing tape and cigarettes
Hana Earles, the second god to audience: next, i am going to do a painting, 2017
Mimi Smith, Thirty, Thirty-five, 2015, digital laser print, edition 2/5
Hannah Bronte, Umma is burning, 2017, 1500 x 2000, vinyl banner
Hannah Bronte, Umma is burning, 2017
Ariana Reines "Oh one thing I might need to add is that I didn't do anything to that photograph to create the effect. My mom's aura made that happen."
Ariana Reines, Sandra Reines, 9/14/17, 2017, Video, audio, 00:07:41
Ariana Reines, A Draft for a Home in The Culture, 2017, text
Ann Shelton, Jane Says, Top L - R, The Mermaid, Wormwood (Artemisia sp.), The Handmaid, Queen Anne's Lace (Daucus sp.) The Vixen, Ginger (Zingiber sp.) Bottom L-R The Comfort Woman (Matthiola sp.), The Scarlet Woman, Valerian (Valerian sp.), The Child Bride, Thistle 2016, C Type Prints, 840 x 1119, courtesy the artist and Bartley and Company Art, Wellington
Ann Shelton, The Vixen, Ginger (Zingiber sp.)
Zoe M. Roberston, Divine Right, 2017, Lime wash and acrylic (mis tints) on found fabric, 1500 x 2000
Zoe M. Roberston, Divine Right, 2017
Zoe M. Roberston, Divine Right, 2017
Gian Manik, Tom and Rebecca's Wedding cake, 2017, chocolate cake, fondant, rug, dimmensions variable
Gian Manik, Tom and Rebecca's Wedding cake, 2017
Inside installation view, Paddington Town Hall, 2017
Mimi Smith, A reading of two drawings, 1977, Documentation of a performance at Franklin Furnace, NYC, 1978
Mimi Smith, A reading of two drawings, performance at Franklin Furnace, NYC, 1978
Morag Keil, Gawker, 2012, Oil on canvas (8 parts), dimensions variable, Courtesy the artist and Real Fine Arts, Brooklyn
Morag Keil, Gawker, 2012
D&K, All or Nothing, 2017
D&K, All or Nothing, 2017
D&K, All or Nothing, 2017
D&K, All or Nothing, 2017
D&K, All or Nothing, 2017
Hannah Bronte, Umma and child, molten, 2017, vinyl banner, 1500 x 2000
Hannah Bronte, Umma and child, molten, 2017
Hannah Quinlan and Rosie Hastings, UK Gay Bar Directory, 2016, moving image installation, courtesy the artists and Arcadia Missa, London
Hannah Quinlan and Rosie Hastings, UK Gay Bar Directory, 2016
Hannah Quinlan and Rosie Hastings, UK Gay Bar Directory, 2016
Inside installation view, Paddington Town Hall Sydney, 2017
Cinzia Ruggeri, Per un vestire organico (Towards an organic way of dressing), 1983, video and sound, 00:20:25
Mimi Smith, Underpants Trio, 2015, digital laser print, edition 1/5
Inside installation view, Paddington Town Hall Sydney, 2017
Ruth O'Leary, Breast Piece, 2017, Digital type-c print, 920 x 630, Edition 1/2 + 1 AP
Ruth O'Leary, Breast Piece, 2017
Aurelia Guo, The Art of War, 2017, Digital video
Aurelia Guo, The Art of War, 2017
Cinzia Ruggeri, A Bad Dream, 1979, Pillow with glove, plastic ear, zip and black ink
Cinzia Ruggeri, A Bad Dream, 1979
Jana Hawkins-Andersen, Sympathy and Contagion, 2017, Silicon, plastic, thread, acrylic nail extensions, latex, plastic zipper, plastic flowers, stickers, mesh, glazed earthenware, speakers cord, plastic pipe, used face mask, soy sauce, bubble gum, dog chew toy, plastic packaging, resin, tapioca pearls, wood, car door, found car part, Dimensions variable. Matt Black Maserati with and Oily Fingerprint, 2017, Gazed earthenware, resin, Dimensions variable
Jana Hawkins-Andersen, Sympathy and Contagion, 2017
Jana Hawkins-Andersen, Sympathy and Contagion, 2017 and Matt Black Maserati with and Oily Fingerprint, 2017
Jana Hawkins-Andersen, Sympathy and Contagion, 2017
Nalda Searles, When They Danced He Was Transformed, 2008, Man's Tailored Suit Jacket circa 1947 (artist's father), cotton netting purchased in Timbuktu 1960
Nalda Searles, When They Danced He Was Transformed, 2008
D&K, All or Nothing, 2017
D&K, All or nothing, 2017
D&K, All or Nothing, 2017
D&K, All or Nothing, 2017
Inside installation view, Paddington Town Hall Sydney, 2017