Senga Nengudi, Rapunzal, 1981, silver gelatin print, edition of 5 + 1 AP, 825 x 1250 unframed, courtesy the artist, courtesy the artist, Thomas Erben Gallery, New York and Levy Gorvy Gallery, London + Lewis Fidock, Asterix, 2017 and Nalda Searles, When they danced he was transformed, 2008.

Inside installation view, Paddington Town Hall Sydney, 2017

Inside installation view, Paddington Town Hall Sydney, 2017

D&K, All or Nothing, 2017, Garment collection, materials and dimensions variable. Garments feature art work by: Blake Burns, James Deutsher, Lewis Fidock, Christopher LG Hill, Chantal Kirby, Spencer Lai, Gian Manik, Kate Meakin, Virginia Overell, Joshua Petherick, Sean Peoples, Adele Varcoe, Alex Vivian. Garment production collaborator: Chantal Kirby. Garment production: Ricarda Bigolin (D&K), Tasmin Pritchard, Holly Simpson and Chantal Kirby. Stylist: Adam Wood Originally performed as part of the exhibition High Risk Dressing ? Critical Fashion, RMIT Design Hub.

D&K, All or Nothing, 2017

Inside installation view, Paddington Town Hall Sydney, 2017

Lewia Fidock Asterix, 2017, Ultracal, pollen spores, spray adhesive, raw pigment, synthetic polymer paint, wire, leather, pigmented, polymerthane, dimmensions variable, Unique, Courtesy the artist and Sarah Scout Presents, Melbourne

Inside installation view, Paddington Town Hall Sydney, 2017

Ainslie Templeton, Heterographic blanket (domination), 2017, towel, tarpaulin, urine, peppermint and wax, Unique

Ainslie Templeton, heterographic blanket (domination), 2017

Ainslie Templeton, heterographic blanket (domination), 2017

Hana Earles, the second god to audience: next, i am going to do a painting, 2017

Hana Earles, the second god to audience: next, i am going to do a painting, 2017, marker on cotton, extension cord, packing tape and cigarettes

Hana Earles, the second god to audience: next, i am going to do a painting, 2017

Mimi Smith, Thirty, Thirty-five, 2015, digital laser print, edition 2/5

Hannah Bronte, Umma is burning, 2017, 1500 x 2000, vinyl banner

Hannah Bronte, Umma is burning, 2017

Ariana Reines "Oh one thing I might need to add is that I didn't do anything to that photograph to create the effect. My mom's aura made that happen."

Ariana Reines, Sandra Reines, 9/14/14, 2017, Video, audio, 00:07:41

Ariana Reines, A Draft for a Home in The Culture, 2017, text

Ann Shelton, Jane Says, Top L - R, The Mermaid, Wormwood (Artemisia sp.), The Handmaid, Queen Anne's Lace (Daucus sp.) The Vixen, Ginger (Zingiber sp.) Bottom L-R The Comfort Woman (Matthiola sp.), The Scarlet Woman, Valerian (Valerian sp.), The Child Bride, Thistle 2016, C Type Prints, 840 x 1119, courtesy the artist and Bartley and Company Art, Wellington

Ann Shelton, The Vixen, Ginger (Zingiber sp.)

Zoe M. Roberston, Divine Right, 2017, Lime wash and acrylic (mis tints) on found fabric, 1500 x 2000

Zoe M. Roberston, Divine Right, 2017

Zoe M. Roberston, Divine Right, 2017

Gian Manik, Tom and Rebecca's Wedding cake, 2017, chocolate cake, fondant, rug, dimmensions variable

Gian Manik, Tom and Rebecca's Wedding cake, 2017

Inside installation view, Paddington Town Hall, 2017

Mimi Smith, A reading of two drawings, 1977, Documentation of a performance at Franklin Furnace, NYC, 1978

Mimi Smith, A reading of two drawings, performance at Franklin Furnace, NYC, 1978

Morag Keil, Gawker, 2012, Oil on canvas (8 parts), dimensions variable, Courtesy the artist and Real Fine Arts, Brooklyn

Morag Keil, Gawker, 2012

D&K, All or Nothing, 2017

D&K, All or Nothing, 2017

D&K, All or Nothing, 2017

D&K, All or Nothing, 2017

D&K, All or Nothing, 2017

Hannah Bronte, Umma and child, molten, 2017, vinyl banner, 1500 x 2000

Hannah Bronte, Umma and child, molten, 2017

Hannah Quinlan and Rosie Hastings, UK Gay Bar Directory, 2016, moving image installation, courtesy the artists and Arcadia Missa, London

Hannah Quinlan and Rosie Hastings, UK Gay Bar Directory, 2016

Hannah Quinlan and Rosie Hastings, UK Gay Bar Directory, 2016

Inside installation view, Paddington Town Hall Sydney, 2017

Cinzia Ruggeri, Per un vestire organico (Towards an organic way of dressing), 1983, video and sound, 00:20:25

Mimi Smith, Underpants Trio, 2015, digital laser print, edition 1/5

Inside installation view, Paddington Town Hall Sydney, 2017

Ruth O'Leary, Breast Piece, 2017, Digital type-c print, 920 x 630, Edition 1/2 + 1 AP

Ruth O'Leary, Breast Piece, 2017

Aurelia Guo, The Art of War, 2017, Digital video

Aurelia Guo, The Art of War, 2017

Cinzia Ruggeri, A Bad Dream, 1979, Pillow with glove, plastic ear, zip and black ink

Cinzia Ruggeri, A Bad Dream, 1979

Jana Hawkins-Andersen, Sympathy and Contagion, 2017, Silicon, plastic, thread, acrylic nail extensions, latex, plastic zipper, plastic flowers, stickers, mesh, glazed earthenware, speakers cord, plastic pipe, used face mask, soy sauce, bubble gum, dog chew toy, plastic packaging, resin, tapioca pearls, wood, car door, found car part, Dimensions variable. Matt Black Maserati with and Oily Fingerprint, 2017, Gazed earthenware, resin, Dimensions variable

Jana Hawkins-Andersen, Sympathy and Contagion, 2017

Jana Hawkins-Andersen, Sympathy and Contagion, 2017 and Matt Black Maserati with and Oily Fingerprint, 2017

Jana Hawkins-Andersen, Sympathy and Contagion, 2017

Nalda Searles, When They Danced He Was Transformed, 2008, Man's Tailored Suit Jacket circa 1947 (artist's father), cotton netting purchased in Timbuktu 1960

Nalda Searles, When They Danced He Was Transformed, 2008

D&K, All or Nothing, 2017

D&K, All or nothing, 2017

D&K, All or Nothing, 2017

D&K, All or Nothing, 2017

Inside installation view, Paddington Town Hall Sydney, 2017